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Also in 2022, Legacy Russell organized “The New Bend,” a group present at Hauser & Wirth gallery that drew connections between the Gee’s Bend quilters and 12 risingstar artists, including Tomashi Jackson, Eric N. Mack, and Basil Kincaid. Russell described the Gee’s Bend makers as “artists and technologists,” positioning youthful artists as their inheritors exploring the numerous links between textiles and digital instruments. The warps and wefts of fabric, for example, work like a grid of pixels, while their collage strategies recall the disjointed expertise of browsing the internet. If the NFT boom-and-bust left a nasty taste in lots of people’s mouths, the ensuing afterglow seems to be providing enough space, curiosity, and funds to continue Miami’s digital art scene in a extra thought-about way. • The Italian Cultural Institute in Los Angeles are taking part...
